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‘Directing Hamlet’ is rich with subtext
‘Directing Hamlet’ is rich with subtext A probing look at life and the theater By Rita…
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THEATRE 1 on 1: THE ART OF COLLABORATION
If it’s a collaboration … why can’t I do it my way? The answer to this…
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ACTING 1 on 1 … MONOLOGUES
Hi. I’m gonna post one of these every day because … hell, I’ve got the time. …
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Throwing it out there
I had the dream again last night. OK, I didn’t. Well, yes, I had a dream…
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RANDOM ACTS to workshop in Santa Paula
If you know anything about me, I’m unconventional. So, here it is: we’re putting together a…
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Chekhov’s THE SEAGULL new adaptation
Why? Why write another adaptation of THE SEAGULL? Well there really can only be one good…
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And another review . . . after the run
This was posted on our last performance but I found out about iut just this last…
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And now we look to the future
Well, one production down and countless future performances to go. So far DIRECTING HAMLET has been a critical and…
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REVIEW THE SECOND – “Two for two”
Watching the directors What the Bard’s most famous play says about acting, art and life By…