About the author

Michael Perlmutter is an author come back to life.   What I mean by that is it’s been years since I’ve used the word Playwright on an IRS 1040 form.   I graduated in 1981 from California Institute of the Arts in, what was then Valencia but now, Santa Clarita, California with a BFA in Theatre.  There was no writing program at that time, though myself and Mr. Gill Dennis (instructor/screenwriter) pioneered what would come to be as close as we could.  My play GLASS HOUSES was offered in the Los Angeles Repertory company performances the same year as I graduated.

In 1983 I won a Drama-Logue award for outstanding writing for the CRIMSON.

In 1984/85 I was commissioned for and wrote the screenplay for DAVID’S STORY for Arnold Laven of Levy-Gardner-Laven productions (unproduced.)

In 1986 my son, Joshua, was born.  That same year there were two productions in process, one in LA, one in New York which both folded early due to separate Producer decisions.  And my son had just been born.

Having been the product of “and my family is a luxury my career can afford me when I’m not working”, I chose to set down my pen and focus on other priorities with plans to pick up my electric IBM typewriter  after my children were grown.  The twins were born in 1988.  It is now 2012 and my youngest are twenty-three.  Even though due to these ecenomically brutal times my children atre each back living with us (and the same wife for thirty-four years) I have returned to my writing and am ready to re-pursue the trail.

My mind has not been shut down the last twenty odd years, only my pen.  The ink well is very full.

Other plays written this side of sabbatical include:

1865   *   A SHEPHERD’S STORY   *   MY PERFECT ALIBI   *   RANDOM ACTS    *   IN THERAPY

screenplays include:

AN AMERICAN CHRISTMAS

ten minute (or under pieces) include:

EVERYONE LAUGHS AT THE KING’S JOKES   *   NEIGHBORHOOD WITNESSING   *   Monologues for WOMEN (from the Bible)

And from the last century (before the pause:)

MOTEL FUNERALS   *   CRIES FOR HELP IN CRAYON    *   TROJAN W/O MEN   *   TAP DANCERS

GLASS HOUSES   *   CRIMSON   *   THE LATE GREAT ME

To contact Michael Perlmutter just post a reply.

10 responses to “About the author”

  1. How would I go about purchasing a copy of The Abriged Seagull? Also, would you be able to tell me what the final line of this adaptation is? And how long it is?

    1. Rachel. Happy to send a read along to you (in hopes of a production). Can you tell me a little more about your interest?
      The play runs roughly two and a half hours (with intermission)
      The final line of the play being:

      Rachel,

      Thank you for asking. Please contact me through my private email (lmjdj@msn.com) and let me know a little more about your interest. The play runs roughly two and a half hours in length (yeah, I know) and the final line is:

      DORN
      Yes, well:
      (Joining Trigorin, taking command of the magazine:)
      There it is. I was reading this earlier. I wanted to ask you about—
      (To Arkadina, without losing pace as he pulls Trigorin aside:)
      —if I could steal him away just for a moment—I’ll give him right back to you, I promise—
      (As they move away from the table:)
      —I have to have you’re your opinion on this matter.
      (Away from the others now:)
      (You need to get Madame Arkadina out of here right away.)
      (Aloud again for the other’s benefit as he turns pages in the magazine:)
      What I wanted to say was—
      (Again privately:)
      (The boy just shot himself.)

      (Lights slowly fade as the curtain falls.)

  2. Michael, your site is amazing! So glad your pen is re-engaged with your mind. We need more of your work. How did your show in St. Louis go? Miss you!

  3. Michael,
    What an amazing and impressive website!

  4. Dear Michael, I have been looking at your website and interesting in your play ‘Directing Hamlet’ for a possible staged reading in July as part of the Vicious Salon run by heartBeast – vicious theatre ensemble, in Brisbane, Australia. However I would like to read the entire script and show a couple of other members of the theatre company, who have been discussing Hamlet a lot lately. One of them is an older woman and the other a 19 year old male actor.

    Check out our website http://www.heartbeast.com.au

    I did part of my theatre training in America in the late 90s on a Fulbright Fellowship in Directing at Carnegie Mellon U. Great times and wonderful memories.

    cheers,

    Michael
    michael@heartbeast.com.au

  5. Hello Michael. I saw your note on Linked in and read the first ten pages of Directing Hamlet. I have a theater company in Chicago and we are always looking for new works. (check us out at http://www.genesistheatricals.com) I would be interested in seeing the whole script of Directing Hamlet and also of 1865. I can’t promise anything but they look interesting. Elayne

    1. Elayne,
      I would be happy to send you PDF files for each script. I sent to another email address I found for you buy perhaps you didn’t get them. Let me know what email address to send them to

      Hope your upcoming projects get their funding soon.

      Michael

  6. Where are you, dear man. I’d love to talk with you.

  7. Chard Hayward Avatar
    Chard Hayward

    Hello Michael, sorry I haven’t been in touch earlier. Had a very busy week and also decided to get away to Catalina for a break so now it’s Sunday – how did that happen? Great to meet you and maybe we could get together on Tuesday or Wednesday for a coffee. Give me a call when you get a chance. Have a great 4th. All the best.

    Chard Hayward

    (805) 415-1779
    chardhayward@gmail.com
    http://www.chardhayward.com

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